Showing posts with label embroidery. Show all posts
Showing posts with label embroidery. Show all posts

Friday, December 21, 2012

Hope and Christmas Wishes

I didn't really show you the label on our collaborative quilt but have been told that I should talk about what my daughter wrote on the quilt, and the hopes that went with them. The quilt recipient is one of my daughter's team mates from Waka Ama, which is a sport they both love, of Maori outrigger canoeing.

My daughter chose two whakatauki, traditional Maori proverbs, to use on the label which carried all her hopes for her friend.

He toka tu moana, ara he toa rongonui
Your strength is like a rock that stands in raging water - this affirms an individual's strength and courage.
 
He taru kahika
Walk on, as it is only summer rain falling - It is only a small adversity, so don't let it be a hindrance.

I think she picked particularly well, but I will admit that I am a rather biased mother, as we all tend to be.

My annual activity has been reaching fever pitch - I've been making my yearly Christmas decorations for friends. I know we all do it, but I do wonder why I don't start these earlier - one of the great imponderables. Even with the best intentions I'm sure I'll repeat the exercise again next year.

Four years ago I made black hands - it was not long after my dear friend Denys had died and I had no cheery words that year to embroider on decorations so I chose hands instead. One of my friends gave them the nick name "the hands of death" so this year I decided it was time to make some more with a more cheery disposition to keep them company.


I'm really keen on them - especially the one's with tatting and linen buttons on them. I will be making sure that I keep one of these back for myself. They are of course part of my continuing series of 101 things to do with an old doiley!


So the Christmas tree is up, most of the presents have been wrapped and work has finally ceased for the year. I'm starting to feel that the end of year wind down is almost upon us.

Best wishes to you all for a peaceful and happy time this holiday season, full of joy and hope.

Monday, July 16, 2012

All Roads Lead to Frida

Well, so it seems at the moment anyway. Last weekend I visited a few places I hadn't been to for a while and was richly rewarded by treasures beyond my wildest imaginings. I found these wonderful mirrors which I snapped up.

The woman in the shop thought I must have been watching them and finally made a decision - Oh no, I assured her. I had just seen them for the first time and immediately know they need to move to my house. Nothing Like a snap purchase decision!


The family were a little taken aback (I don't know why really - they should be used to it) and there is still debate over just where they will hang. I had thought the bathroom but my husband wasn't so sure he wanted Frida's gaze of silent assessment looking at him every time he ventured in there.

With that success under my belt, I headed to Asia Gallery - I thought I needed some more red for the quilt I am working on at the moment. I was basically spoilt for choice. They had just had another shipment in and the pile in my favourite $5 bin was literally taller than me. I have never seen anything like it. Deciding was almost impossible and there was no way of getting through the pile to see all the treasures buried in there....

What was a fabric loving girl to do?? So another 8 kimono have moved to my house. These are the red's...


Just loved this - don't think it has ever been worn


This on the other hand has been - by me. I've worn it twice now. Its a heavy wool ikat (not sure what the Japanese term for it is), jacket length with the square neckline and domes rather than the full length kimono. It's perfect for this time of year and is helping to brighten up my rather dull winter wardrobe.

In the meantime I've also been working away on the new quilt project. I've decided to chain stitch onto the centre of the crosses. This may be at risk of turning into the most epic quilt project ever ever now I've decided to do this hand work on each block, but it is a nice project to have sitting in front of the fire of an evening. I think there will be about 100 of these blocks in the quilt, so it should keep me going for a while!

I'm starting out by using up some of the threads I already have. This red thread is a Tentkulum stranded cotton which I bought several years ago along with a blue version. They are called Painter's Threads - so it will probably be no surprise that the name of this shade is Frida.

As I said - all roads lead to Frida!

Sunday, August 28, 2011

Picking up my needle again

I've been in a bit of a stitcher's slump of late - busy with work and research projects, too cold to venture up to the sewing room - there are always lots of excuses. However last week I discovered that I could still remember how to thread my needle (what a relief!) and got started on a bonnet.... not quite my usual thing. There is of course a back story....

For some years now there has been a major project underway in Tasmania, Australia to remember the women who were departed there as convicts from the late 18th to mid 19th century. During that time over 75,000 convicts were deported, mainly from England, with 25,266 of them women. A recent article in Quilt Mania reminded me of the project and got me digging around in some of our family history.

Christina Henri has been researching the lives of women convicts since 2003 and in 2007 launched an ambitious project, the Roses from the Heart Memorial. She is aiming to have 25,000 bonnets made for the project and is within 5,000 of reaching her target.

The pattern supplied for the project is an 1860 cloth bonnet which was worn by convict women while they were working as assigned servants. It was chosen as a symbol to connect descendants with their convict ancestors and to commemorate the life and contribution of each of those women to the new land they found themselves in. Each bonnet is embroidered with the name of a convict, the ship they were transported on and the year they arrived in Tasmania. Descendants can make one for their ancestor or a name can be chosen from the remaining list of convict women.

My husband, and of course our children, are descended from two people who were transported to Tasmania so the bonnet I am making is to remember one of these people. Elizabeth Allen, from Warwickshire, was only 19 years old when she was tried and sentenced to deportation and a term of 10 years for stealing a scarf. By today's standards it seems an unimaginably harsh sentence for a relatively minor offence.

She arrived in Hobart on the Margaret in July 1843, after spending 164 days at sea. Elizabeth was described on the ship's list of convicts as a "Class One Needlewoman" with a fair complexion, light brown hair and hazel eyes. She was initially sentenced to the notorious Cascades Female Factory, which is now a historic site.

Elizabeth met and married George White in 1845 and they received their ticket of leave in 1848. George, 18, was from Woolwich and was sentenced to deportation and a term of seven years for stealing a trunk from a coach in 1834. Women tended to received harsher sentenced for comparable offence to men - somehow their crime was judged to be worse, requiring greater moral comdemnation!

George White was transported on the George the Third ship which was wrecked in the mouth of the Derwent River as it arrived in Tasmania. Of the 220 convicts who sailed from England, only 81 made it to landfall alive, with many drowning within sight of land.
George and Elizabeth migrated with their five children from Tasmania to Dunedin, New Zealand, in the mid 1860s. They came to make a fresh start as free settlers, without the stigma of their convict origins which they found they were unable to shed in Australia. They are buried together in the North Dunedin cemetery - will will be visiting them when we travel south later in the year.

The embroidery I've done on the bonnet for Elizabeth isn't perfect. The rose is noticeably off centre (I have no idea how I managed this) but after much fussing and trying to make it look more balanced I decided to leave it as it is. Elizabeth wasn't perfect - none of us are - so I don't think she would have minded too much. Today there's no stigma in being descended from convicts, in fact it's quite the reverse in Australia. And that, it seems to me, is perhaps the greatest honour that can be done these women - to remember them, in all their imperfections, and still be proud of the lives they led.

Tuesday, August 16, 2011

But wait.... there's more

This was the view across from our house this morning - we've never seen snow on these hills in 15 years. My brother in law, a genuine weather forecaster, tells us that what is remarkable about this is that we are now in day three of snow, and it looks like there is another two days still to come.... rest easy - I will spare you any more. However, I thought you might like to see more of the treasures I found in the South Island. These came from a tiny town called Murchison - it has a population of about 800 which is mainly focused on 'white water' tourism. Clearly there were plenty of stitchers there in the past.

I particularly like the cloth with lilac on it. There are two of these, so they were clearly by the same stitcher. And of course this is one of my handbags from Nelson - made in Huntly, NZ from deer. I thought it was irresistible and will have to guard it from my daughter who has already has eyes on it.


This was the other that begged to come back to Wellington. It was made in New York and the owner told me she had only recently bought it back from a buying trip in the US. She said she was approached several times while still in the US with people wanting to buy it straight off her arm. I've used it a few times already and adore it. I feel a new collection coming on...


My last treasure from Nelson was this lovely laundry bag. If only the family washing was so glamorous! I will have to improve my act to keep up with this.


Saturday, May 7, 2011

A Voice from the Past

I've had this sampler for a little while but this week was the first time I'd really started researching the background to it. As you can probably see it was made by Florence Shilling in 1895. It was made at Donaldson's Hospital - I've always wondered what this was but discovered this week that it was / is a school in Edinburgh. Founded in 1851 the school focused on the education of poor children in the city and specialised in education for deaf and mute children. Since 1938 the school, now called Donaldson's College, has been exclusively for deaf students. The building the school was originally in was just amazing, although ultimately unsuited to educating children. During WWII the school was used as a prisoner of war camp which housed German and Italian prisoners. The building was recently sold and in 2008 the school moved to a new purpose built facility.

The original building is now being developed into apartments - and to think my little sampler has found its way from this extraordinary place to the other side of the world, to a house where there is another principal of a special school (my husband) who has just been able to open a new facility for his students. Clearly serendipity at work here.



And by way of warning - see if you can spot the image of part of the sampler in the photo below. It's the cardboard that the sampler has been sitting on for an unknown number of years. If you look closely you can see how the acid in the board has leached colour out of the sampler leaving an image on it.


Needless to say now that I know more of its history and condition I'm on the case so it can be framed in an acid-free environment. Hopefully it will then last another 116 years and Florence's creative voice will continue to be seen and heard.


Thursday, February 3, 2011

Last Chance

I have it on very good authority that you only have one more week to get into Te Papa to the Enriching Fashion exhibition if you want to see this wonderful embroidered waistcoat (click the link for all the details). Made in France in around 1780, it is well worth the trip in to see this item alone.
Next week it will be taken off exhibition, along with another six items from Enriching Fashion, to be rested for at least 5 years, so it can recover from the pressure imposed by the last 6 months of public exposure.

Sometimes I feel like it would be nice to rest for a while - although maybe not that long!